Tuesday, February 24, 2015

Can the FCC save AM broadcast radio -- Part Dos




by Don Keith

My recent post about the FCC's futile and short-sighted ideas for saving the already comatose AM broadcast band generated many interesting posts, both on my blog (http://n4kc.blogspot.com) and on my Facebook page (www.facebook.com/donkeith).  Comments seemed to fall into three basic camps:
Radio broadcasting
1) "But I love AM radio!  I like to drive for miles and miles and listen to some station from Cincinnati."  Response: Fine.  Some of my best friends are AM DXers and enjoy capturing skywave signals.  However, neither you nor they mean squat to that station in Cincinnati when the station's staff tries to sell commercials on their air.  There is little to no interest in saving the band for DXers.  Nor is that a valid reason to keep the band as it is today.  Sorry.

2)  "You are right, Don.  But if they could just clean up the signals and maybe give them more power, it would fix everything."  No.  No, I don't think so.  First, today's station owners are not interested in investing anything at all into their plants.  Secondly, we now have--thanks to those owners--a generation of people who not only don't know or care what AM radio is but likely couldn't figure out how to get it on their car radios if they did.  Lack of something worth listening to!  That is one of the big problems.  And the FCC is not going to solve that one.  Nor should they.  That is the responsibility of those who hold licenses.

3)  Those who actually offer some possible solutions.  Best among those came via my friend Dave Barnes WB4KDI who forwarded me a link to a filing in the FCC's inquiry on the subject.  If you are interested, you can read it at http://apps.fcc.gov/ecfs/document/view?id=7521066938.  The trouble with most of these suggestions is, as expressed in 2) above, most broadcasters will be unwilling to spend much money chasing a dramatically fragmented listenership.  Plus anything that depends on those listeners to buy new hardware, install antennas, or do too much futzing around to try to hear those new-technology "AM" stations won't work either.

Won't work unless there is something in the way of programming content on those new-technology "AM" stations worth seeking out.  Not when you can drop your smart phone into the slot or easily hook up Bluetooth and have a vast array of free audio anywhere on the planet you want it.

I don't want to be too pessimistic here.  I love radio, including AM broadcast.  I wish there was a practical solution.  I still think it has the potential to be not only the most compelling medium there is but also the one that can do the most for advertisers.  But not if the only programming choices are pablum.  Or wall warts and other noisy switching power supplies pollute the spectrum so badly listeners can only hear a buzz.

Though sometimes I think that buzz is more entertaining and informative than what most AM stations (and FM, too) have on their air these days.

Friday, February 20, 2015

Can the Federal Communications Commission save AM broadcast radio"

by Don Keith

Darn good question up there in the headline!  The article in today's INSIDE RADIO quotes one FCC commissioner as saying he is committed to revitalizing the AM broadcast band.  You remember AM radio, right?  That noisy slice of spectrum from 540 to 1700 kilohertz, filled with static, come-and-go signals, strange-sounding ethnic stations, and hollering preachers.)  The article also notes that less than 20% of all radio listening nowadays is to AM stations.  I'd bet if you look outside the top ten markets, that number would be less than 5%.

OK, so AM broadcasting is in serious trouble. I'm already predicting it will be an amateur radio band within ten years.  What does Commissioner Ajit Pai propose doing?  What high-tech gimmickry does he suggest?  What incentives to broadcast licensees in the AM realm will the FCC develop to save the band?

1) Easier-to-get FM translators.  2) Modification of the so-called ratchet rule.

That's it.

Ratchet rule first: that was a complicated set of regs designed to reduce night-time interference between AM stations, passed in an era when most people still listened to AM and thought FM was only good for classical and elevator music.  I'm not sure what changes they make at this late date--any big alteration would be costly for cash-strapped AMs to accomplish anyway--and frankly, I think it's way past possible to suddenly create excitement among listeners for AM radio by reducing the interference protection for Station A over Station B by 1 mV.  Huh?

Can't wait to hear that promotional announcement:  "WAAA-AM 970, now with a slightly better antenna array pattern so all six of you who listen to us at night can now hear us better by 1 micro-volt!"

Besides, if the trend continues, as AM stations turn in their licenses because the real estate where their towers are located is worth more than the station itself, then this "ratchet rule" issue will settle itself.  There will be so few stations, nobody will interfere with anybody else!

Now, about FM translators.  You can hear this phenomenon already in whatever market you live in.  Listen to that new station that just popped up on the dial out of nowhere.  You know, the one that keeps fading in and out on your car radio and that you can't even get at your desk in the office.  (You try because they play a bunch of music with no...and I mean NO...commercials.)

Listen to its legal station identification, usually occurring near the top of the hour.  "97 Rock is WAAA-AM W375962 Yourtown!"  That is a translator station, a low power transmitter assigned to an AM station to rebroadcast its signal on FM.  That is also why--if you still know how to flip your radio over to AM--you suddenly hear a rock-and-roll AM station among the mostly sports talk, Hispanic, and gospel stations that make up most of the AM dial now.

(You will also hear station identification that sounds like, "This is 97 Rock, WFFF-FM HD2, Yourtown!"  That is a translator that re-broadcasts the sub-channel of an existing FM station.  You didn't know your local stations had such so-called "high-definition" sub-channels?  They do, but few use them for any other purpose than to supply audio for a separately-branded translator transmitter.  That's because practically no one has an HD radio capable of hearing the sub-channel itself.  And if they do, they likely are not even aware they have it or which stations in their town--if any--have programming on that HD channel.)

Now, tell me.  How does allowing AM stations to broadcast their programming (or the programming on the AM station's HD sub-channel...yes, a few have that capability, too) on a low-power transmitter with limited antenna height help keep people listening to the AM band?  How can the AM stations convince advertisers that a commercial on the AM station--that nobody...NOBODY listens to--will somehow suddenly attract enough listeners on that weak FM signal to bring them any customers?

No, what the translator-ization of the FM band--along with the introduction of literally thousands of non-commercial low-power FM stations--has done is make it even tougher for over-the-air broadcasting in general at a time when they are in enough troubles already.  Here's how:

1) The band is already so cluttered in most markets that interference is becoming a real problem.  Why should I try to hear my favorite morning deejay on 97.3 FM when he keeps getting wiped out by some local (albeit low-power) church station just down the dial when I go behind a hill or between buildings?

2) All those new signals, bad as they are, further dilute the listenership to over-the-air stations.  Radio ratings--which stations use to sell and price their commercials--are fractured beyond belief already.  Radio survived for years by selling ratings based on the percentage of people listening to radio at any given time.  That is called "share."  Share of people listening to over-the-air radio.  Now agencies and advertisers are waking up.  They want to see and pay for the percentage of people listening to a station in their target demographic based on the total number of people in the market who are in the demo.  That is called "rating."  A station may well have a "12 share" in women aged 25 to 49.  That is 12% of all women aged 25 to 49 WHO ARE LISTENING TO THE RADIO in an average quarter hour of the day.  Wow!  A commercial on the "Sonny and Goofball Morning Mayhem Show" reaches 12% of the folks a grocery store wants to talk to.  But if you look at RATING...a percentage of women 25 to 49 in the general population, whether they are listening to radio or not, that station may have a 2.  2%.  Hard to get the same dollars for a commercial if a rating shows 84% fewer ears.

See, all those translators are diluting SHARES, but not increasing RATINGS.  They are not increasing listening much at all, just dividing it up more.  Each station has fewer listeners.  Fewer listeners means less money per commercial.

At the same time, listeners have so many, many more places to get audio entertainment, news, information and companionship than over-the-air radio.  The obvious are satellite radio, Pandora and the like.  But with ubiquitous cell phone usage now, millions are not even listening to anything at all but whoever they are talking to on the phone as they commute.

So, the very limited help Commissioner Pai proposes will not help AM broadcasters at all.  It will actually hurt them as their FM translators pry the last few listeners they have managed to hang onto over to a weak FM signal somewhere amid the 100,000-watt guys there already.

And that gesture from the FCC will also continue to hurt existing FM owners at a time when they are already struggling to maintain audience as rapid technological change gives us all myriad choices beyond "The Sonny and Goofball Morning Mayhem Show."  A thousand new signals on the FM band, regardless of their light-bulb-sized transmitter power, is not good for FM.  Unless they bring millions of new listeners.  And they won't.

(And the morning mayhem show, by the way, is probably syndicated out of Dallas and its talent and producers have no idea what I'm facing on my own commute this morning or what topics are of interest to me and my local listeners beyond last night's "Idol" elimination and Kanye's most recent statue swipe.  But that is a rant for another day.)